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Romeo and Juliet: the Tomb Scene is a painting by Joseph Wright of Derby, completed by 1790, exhibited in 1790 and 1791, shown in the Derby Exhibition of 1839 in the Mechanics' Institute, and now displayed in Derby Museum and Art Gallery. The painting exhibits Wright's famed skill with nocturnal and candlelit scenes.
In despair, Romeo goes to Juliet's tomb and kills himself by drinking poison. Soon afterwards, Friar Laurence arrives as Juliet awakens. Despite his attempts to persuade her to flee from the crypt, Juliet refuses to leave Romeo, and once the Friar flees, she kills herself by plunging his dagger into her chest.
Shortly thereafter, Romeo, deranged by grief himself, also goes to the Capulet's tomb and is confronted by Count Paris, who believes Romeo came to desecrate Juliet's tomb. A duel ensues and Paris is killed.
Friar Laurence arrives just as Juliet awakes from her chemically induced slumber. [9] He urges Juliet not to be rash and to join a society of nuns, [10] but he hears a noise from outside and then flees from the tomb. Juliet then kills herself with Romeo's dagger, completing the tragedy.
The Tragedy of Romeo and Juliet, ... in the balcony scene, in Juliet's bedroom and in the tomb [168] has been used by subsequent directors: for example, ...
In Romeo & Juliet: Sealed with a Kiss, Juliet is portrayed as a white seal and is voiced by Patricia Trippett, while her brother Daniel was the voice of the brown seal Romeo. Fumie Mizusawa voices Juliet in the heroic fantasy adaptation Romeo x Juliet by the Japanese animation studio GONZO, with Takahiro Mizushima voicing Romeo; Brina Palencia ...
Romeo enters the church where Juliet lies and consumes the poison just as Juliet wakes up. Distraught over Romeo’s death, Juliet picks up his gun and shoots herself in the head, falling down beside his lifeless body. Romeo's body is being taken inside an ambulance with a crowd of spectators and reporters observing the incident from behind the ...
A rose by any other name would smell as sweet" is a popular adage from William Shakespeare's play Romeo and Juliet, in which Juliet seems to argue that it does not matter that Romeo is from her family's rival house of Montague. The reference is used to state that the names of things do not affect what they really are.