Search results
Results from the WOW.Com Content Network
I Got It Bad (and That Ain't Good)" is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue Jump for Joy by Ivie Anderson, [1] who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. [2]
"I Got It Bad (And That Ain't Good)" (D. Ellington, Paul Francis Webster) – 3:46 "Do Nothin' Till You Hear From Me" (D. Ellington, Bob Russell) – 6:06 "Chelsea Bridge" (Strayhorn) – 6:24 "Things Ain't What They Used To Be" (Mercer Ellington, Ted Persons) – 6:46 "In a Sentimental Mood" (D. Ellington, Manny Kurtz, Irving Mills) – 5:16
Jump for Joy is a 1941 musical revue by Duke Ellington that opened on July 10, 1941, at the Mayan Theater of Los Angeles; [1] and ran for nine weeks (122 performances).. It included many songs by Ellington, including the jazz standard "I Got It Bad (and That Ain't Good)" and the title track, "Jump for Joy."
Reviewing the album for Allmusic, Scott Yanow wrote that the album showed that Vaughan "never did decline" and sounded "top form throughout". Yanow chose "I Ain't Got Nothing but the Blues," "Chelsea Bridge," "Rocks in My Bed," "I Got It Bad" and "Mood Indigo" as highlights.
I Got It Bad may refer to: " I Got It Bad (and That Ain't Good) ", a 1941 pop and jazz standard by Duke Ellington and Paul Francis Webster "I Got It Bad", a track from Tevin Campbell's 1996 album Back to the World
Albert George Hibbler (August 16, 1915 – April 24, 2001) was an American baritone vocalist, who sang with Duke Ellington's orchestra before having several pop hits as a solo artist. Some of Hibbler's singing is classified as rhythm and blues , but he is best seen as a bridge between R&B and traditional pop music . [ 1 ]
Travis, 35, then pulled his microphone close and sang, “Now we’ve got bad blood,” a nod to Swift’s song from 2014’s 1989, purported to be about her then-feud with Katy Perry.
"I Got It Bad" is two minutes and 52 seconds long. The song was co-written by Rae with Madison Love and Leland, and producers Oscar Görres and Rami Yacoub, showcasing an upbeat, bass-heavy arrangement alongside Rae's vocal delivery of playful lyricism centered on themes of attraction and risky love about a naive girl smitten with a rebellious love interest, willing to "submit to the extremes ...