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Carved and inlaid Late Baroque supraporte in Toruń, Poland. An "overdoor" (or "Supraporte" as in German, or "sopraporte" as in Italian) is a painting, bas-relief or decorative panel, generally in a horizontal format, that is set, typically within ornamental mouldings, over a door, [1] or was originally intended for this purpose.
This is a list of public art by Claes Oldenburg and Coosje van Bruggen, also termed their "large scale projects". Oldenburg (1929-2022) and van Bruggen (1942–2009) were married Swedish-American and American-Dutch sculptors (respectively), best known for their Installation art typically featuring very large replicas of everyday objects.
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace , and can include elaborate designs extending to the ceiling.
Art Deco also followed the principle of simplicity, another reason for the rarity of complex ornaments like cartouches or mascarons in Art Deco. Renaissance cartouche in a laurel crown with ribbons, above a bifora of the Palazzo Strozzi , Florence , Italy, by Benedetto da Maiano , 1489-1538
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
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(The Large Bathers) 1884–87: 115 cm × 170 cm (45 in × 67 in) Philadelphia Museum of Art, Philadelphia, Pennsylvania The Daughters of Catulle Mendès: 1888: 61.9 cm × 129.9 cm (24.4 in × 51.1 in) Metropolitan Museum of Art, New York City, New York [36] Young Woman with a Blue Ribbon (French: Jeune fille au ruban bleu) 1888
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