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Michel Georges Alfred Catty (18 June 1931 – 26 January 2020), known as Michou, was a French singer, drag artist and owner of Chez Michou in Montmartre. [1] He was born in Amiens . A local celebrity, he appeared in a cameo as himself in the 1973 film La bonne année directed by Claude Lelouch .
Chez Michou is a drag cabaret in Paris. Located in the Montmartre cabaret district of the 18th arrondissement, it was founded in 1956. [1] It was run by the cabaret artist Michou until his death in 2020. [2] The cabaret inspired the 1978 French film La Cage aux Folles. [3] On 1 July 2024, Chez Michou announced that it would be closing for ...
Michou (Saint-Denis, Réunion, 9 August 1960) is a Réunion singer. [1] Daughter of the Réunionnais composer Narmine Ducap , she had her first séga hit in 1972 at the age of 12. After a long career, and many hit singles, with various bands she issued solo albums in the 1990s.
Michou (cabaret artist) (1931–2020), French cabaret owner, drag queen and singer; Michou (Réunion singer) (born 1960), Réunionnaise female singer; Michou (band), Canadian folk band 2007–2012; Michelle Dumon (1921–2017), WWII Belgian resistance agent who used the codename "Michou"
From 'The 'Burbs' to 'The Neverending Story' and 'The Princess Bride,' these '80s movies (both cult classics and blockbusters) are just too good to forget.
Among women large hair-dos and puffed-up styles typified the decade. [1] ( Jackée Harry, 1988). Fashion of the 1980s was characterized by a rejection of 1970s fashion. Punk fashion began as a reaction against both the hippie movement of the past decades and the materialist values of the current decade. [2]
Michou Chaze (born 1950) is a Tahitian author writing in "Tahitian French", a localized variation of French. [1] She is also known as Rai Chaze or Rai a Mai. [2]The daughter of a French father and Polynesian mother, she was born in Papeete.
L'Officiel was first published in 1921. [4] [5] It was the official publication of the Chambre Syndicale de la Couture Parisienne, a trade body representing all Paris couturiers, [6]: 83 and took over the role of Les Elégances Parisiennes, a joint publication of a group of about twenty-five couturiers which became defunct in 1922.