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Betawi people borrowed the Chinese culture of firecrackers during weddings, circumcisions, or any celebrative events. The tradition of bringing roti buaya (crocodile bread) during a wedding is probably a European custom. Other Betawi celebrations and ceremonies include sunatan or khitanan (Muslim circumcision), and the Lebaran Betawi festival. [33]
An archaic ondel-ondel during the colonial period, performed at the opening of the new wing of Hotel des Indes.. Traditionally, the figure of ondel-ondel was known as barongan, a word derived from barong, a protective spirit that can be found across the animistic Austronesian culture long before the arrival of Hinduism.
Betawi house architecture is said to be so because the creation of structure and construction, the organization of space layout, the use of decorative elements, and the way of making buildings that are influenced by various cultures have been passed down from generation to generation in Betawi society and only exist in Betawi culture itself.
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Rumah Kebaya is a name of a Betawi traditional house. The name comes from the shape of the roof, which resembles a fold of the Kebaya form of dress. The fold can be seen from the side of the house. Beside that, the Betawi have other traditional houses, namely Rumah Gudang and Rumah Joglo. Although the Betawi have 3 traditional houses, but the ...
Pages in category "Betawi people" The following 67 pages are in this category, out of 67 total. ... This page was last edited on 7 August 2024, at 11:02 (UTC).
The Forum Betawi Rempug [a] (FBR) is a Betawi mass organization (ormas) based in Jakarta. The group was established on July 29, 2001, by two Betawi kyais Fadloli El Muhir and Lutfi Hakim. The FBR aims to champion the political rights of the Betawi people, an indigenous but marginalized ethnic group based in Jakarta.
Lenong is a form of theatre traditional to the Betawi people of Jakarta, Indonesia. Dialogue is generally in the Betawi dialect. Actions and dialogue are often presented in a humorous manner on top of a stage known as a pentas tapal kuda, so named for the way actors enter the stage from the left and right. Audiences sit in front of the stage. [1]