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The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.
Unlike other programs in the field of record and audio restoration, DC-Art has undergone regular and significant modifications on an almost annual basis.Many of the changes appear to stem from the frequent discussions and interest in the process of audio restoration [3] [4] by addressing them using new and novel algorithms in order to both simplify and improve the outcomes of the audio ...
VHS (Video Home System) [1] [2] [3] is a standard for consumer-level analog video recording on tape cassettes, introduced in 1976 by the Victor Company of Japan (JVC). It was the dominant home video format throughout the tape media period in the 1980s and 1990s.
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Modern digital television camera with a DIGI SUPER 86II xs lens from Canon. A professional video camera (often called a television camera even though its use has spread beyond television) is a high-end device for creating electronic moving images (as opposed to a movie camera, that earlier recorded the images on film).
Sierra On-Line, which had pioneered supporting EGA and VGA video, and 3-1/2" disks, promised that year to support the AdLib, IBM Music Feature, and Roland MT-32 sound cards in its games. [4] A 1989 Computer Gaming World survey found that 18 of 25 game companies planned to support AdLib, six Roland and Covox, and seven Creative Music System/Game ...
A plastic 45 rpm adapter that inserts into the large spindle hole of a 45 rpm record. A 45 rpm adapter (also known as a 45 rpm record insert, 45 rpm spindle adapter, spider, or 7-inch adapter in reference the usual size of a 45 rpm record) is a small plastic or metal insert that goes in the middle of a 45-rpm record so it can be played on the standard size spindle of a turntable.
A cable conducts the sync pulse from camera to sound recorder. The sync pulse is typically a sine wave of 50 or 60 Hz with an RMS amplitude of approximately 1 volt. [4] This double-system audio recording could then be transferred or "resolved" to sprocketed magnetic film, with sprocket holes that match one to one with the original camera film.