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Detail of a flowered muslin dress, ca. 1805. Sewed muslin was a fashion imported from Paris in the late 18th century. Related to tambour lace, it was worked on very fine muslin, and used a variety of stitches to create motifs, usually depicting flowers and plants (hence its other name, flowered muslin).
Woman's white muslin dress with tiered flounces, Europe, c. 1855. Muslin (/ ˈ m ʌ z l ɪ n /) is a cotton fabric of plain weave. [1] It is made in a wide range of weights from delicate sheers to coarse sheeting. [2] It is commonly believed that it gets its name from the city of Mosul, Iraq. [3] [4] [5]
Mughal clothing refers to clothing worn by the Mughals in the 16th, 17th and 18th centuries throughout the extent of their empire. Much of them were already being used in the past centuries before their arrival in Indian subcontinent. It was characterized by luxurious styles and was made with muslin, silk, velvet and brocade. [1]
In fashionable western dress, lightweight textiles made-up into garments and accessories were popular through the late 18th to the mid-19th century. Simple chain stitches of the tambour technique embellished clothing with cotton, silk, and silver guilt thread, as well as elements such as beads and sequins. [ 5 ]
A woman in Bengal region in the eastern part of the Indian subcontinent, clad in fine Bengali muslin, 18th century. Mughal India (16th to 18th centuries) was the most important center of manufacturing in international trade up until the 18th century. [76] Up until 1750, India produced about 25% of the world's industrial output. [77]
Muslin from "India" is mentioned in the book Periplus of the Erythraean Sea, authored by an anonymous Egyptian merchant around 2,000 years ago, it was appreciated by the Ancient Greeks and Romans, and the fabled fabric was the pinnacle of European fashion in the 18th and 19th century. Production ceased sometime in the late 19th century, as the ...
Working-class people in 18th century England and America often wore the same garments as fashionable people—shirts, waistcoats, coats and breeches for men, and shifts, petticoats, and dresses or jackets for women—but they owned fewer clothes and what they did own was made of cheaper and sturdier fabrics.
In the late 18th century, whitework embroidery featured on garments of the fashionable elite and middle classes. Gowns made of lightweight muslins, as well as petticoats and aprons were adorned with the decorative embroidery technique, which was described in Saint-Aubin's 1770 work 'L'Art du Brodeur', as ‘small stitches one bastes the muslin ...
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