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Heritage management in the Philippines includes preservation measures by private and public institutions and organizations, and laws such as the National Cultural Heritage Act have aided the conservation of Filipino art. The act established the Philippine Registry of Cultural Property, the country's repository of its cultural heritage. [305 ...
Current logo for the Philippine Registry of Cultural Property. Declarations of National Cultural Treasures (NCTs) are regulated by the National Cultural Heritage Act. Designations are undertaken by the National Commission for Culture and the Arts and related agencies such as the National Museum, the National Library, and the National Archives ...
Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...
Vicente Silva Manansala (January 22, 1910 – August 22, 1981) was a Filipino cubist painter and illustrator. One of the first Abstractionists on the Philippine art scene, Manansala is also credited with bridging the gap between the city and the suburbs, between the rural and cosmopolitan ways of life.
Manunggul Jar displayed at Philippine National Museum of Anthropology. The Manunggul Jar is widely acknowledged to be one of the finest Philippine pre-colonial artworks ever produced and is considered a masterpiece of Philippine ceramics. It is listed as a national treasure and designated as item 64-MO-74 [3] by the National Museum of the ...
Anita Magsaysay-Ho (born Anita Corpus Magsaysay; May 25, 1914 – May 5, 2012) was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. [2] Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. [ 3 ]
Imao was named National Artist of the Philippines for Visual Arts in 2006. A Tausūg, Imao is the first Moro to receive the recognition. [1] Aside from being a sculptor, Imao is also a painter, photographer, ceramist, cultural researcher, documentary film maker, writer, and a patron of Philippine Muslim art and culture. [2] [3] [4]
The lavish embellishment also reflects the Filipino attitude about the aesthetic of decorating, known as horror vacui, or ‘fear of empty spaces.’ The desire to fill plain spaces is evident in the decoration of the churches, which are brimming with cultural motifs from the western world along with traditional Filipino elements. [9]