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Following is a list of architects from the country of Spain. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. A–M Vicente Acero (c.1675/1680–1739) Martín de Aldehuela (1729–1802) Martín de Andújar Cantos (born 1602) Juan Bautista Antonelli (1550–1616) Claudio de Arciniega (c ...
As an architecture student at the Escola Tècnica Superior d'Arquitectura, in Barcelona, from 1873 to 1877, Gaudí achieved only mediocre grades, but he did well in his "trial drawings and projects." [ 1 ] After five years of work and schooling, Gaudi qualified as an architect in 1878.
Santiago Calatrava Valls (born 28 July 1951) is a Spanish-Swiss architect, structural engineer, sculptor and painter, particularly known for his bridges supported by single leaning pylons, and his railway stations, stadiums, and museums, whose sculptural forms often resemble living organisms. [1]
Royal Palace of Madrid Plaza de España, Seville. Spanish architecture refers to architecture in any area of what is now Spain, and by Spanish architects worldwide. The term includes buildings which were constructed within the current borders of Spain prior to its existence as a nation, when the land was called Iberia, Hispania, or was divided between several Christian and Muslim kingdoms.
Antoni Gaudí i Cornet [3] (/ ɡ aʊ ˈ d i / gow-DEE, / ˈ ɡ aʊ d i / GOW-dee, Catalan: [ənˈtɔni ɣəwˈði]; [4] 25 June 1852 – 10 June 1926) was a Catalan architect and designer, known as the greatest exponent of Catalan Modernisme. [5] Gaudí's works have a sui generis style.
Pages in category "Spanish architects" The following 49 pages are in this category, out of 49 total. ... An account of the lives and works of the most eminent Spanish ...
16. Pablo. The Spanish form of Paul, the name Pablo means “humble” or “small,” according to Nameberry. Famous Pablos include Spanish artist Pablo Picasso and Chilean poet Pablo Neruda. 17.
Spanish architects during this time (specifically, the years 1559–1567), differed from the traditional Renaissance model of architecture in two fundamental ways: it associated design and building within a continuum and it assigned responsibility for design entirely to a professional who would remain involved with the building's construction.