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From 1906 until 1922, and again after the end of World War II from 1947 until 1979, the League operated a summer school of painting at Woodstock, New York. In 1995, the League's facilities expanded to include the Vytlacil campus in Sparkill, New York, named after and based upon a gift of the property and studio of former instructor Vaclav Vytlacil.
The Art Students League of New York Building (also the American Fine Arts Society and 215 West 57th Street) is a building on 57th Street in Midtown Manhattan in New York City. The structure, designed by Henry Janeway Hardenbergh in the French Renaissance style, was completed in December 1892 and serves as the headquarters of the Art Students ...
The American Artists School was a progressive independent art school in New York City associated with socialism and the American Radical movement. [1]The school was founded in April 1936 at 131 West 14th Street, upon the dissolution of the John Reed Club School of Art.
Associated American Artists (AAA) was an art gallery in New York City that was established in 1934 and ceased operation in 2000. [1] The gallery marketed art to the middle and upper-middle classes, first in the form of affordable prints and later in home furnishings and accessories, and played a significant role in the growth of art as an industry.
The Artists Union or Artists' Union was a short-lived union of artists in New York in the years of the Great Depression. It was influential in the establishment of both the Public Works of Art Project in December 1933 and the Federal Art Project of the Works Progress Administration in August 1935. It functioned as the principal meeting-place ...
The Bayard Rustin Educational Complex, also known as the Humanities Educational Complex, is a "vertical campus" of the New York City Department of Education which contains a number of small public schools. Most of them are high schools — grades 9 through 12 – along with one combined middle and high school – grades 6 through 12.
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The Ten, also known as The Ten Whitney Dissenters, were a group of New York–based artists active from 1935 to 1940. [1] [a] Expressionist in tendency, the group was founded to gain exposure for its members during the economic difficulty of the Great Depression, and also in response to the popularity of Regionalism which dominated the gallery space its members sought.