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Popular music and film stars had a major influence on 1950s hairstyles and fashion. Elvis Presley and James Dean had a great influence on the high quiff-pompadour greased-up style or slicked-back style for men with heavy use of Brylcreem or pomade. The pompadour was a fashion trend in the 1950s, especially among male rockabilly artists and actors.
The style was in vogue for women once again in the 1940s. The men's version appeared in the 1950s and early 1960s, worn by early country, rock and roll, and movie stars such as Elvis Presley, Johnny Cash, Chuck Berry, Ritchie Valens, James Dean, and Tony Curtis, and enjoyed a renaissance in the mid 2000s. The style has been worn by men and ...
A women's hairstyle where different sections of the hair are cut at different lengths to give the impression of layers. Liberty spikes: Hair that is grown out long and spiked up usually with a gel Lob: A shoulder-length hairstyle for women, much like a long bob, hence the name. Mullet: Hair that is short in front and long in the back.
Shemar Moore in "Diary of a Mad Black Woman." The year was 2005. Tyler Perry had just debuted his first feature film, “Diary of a Mad Black Woman,” in which heartthrob Shemar Moore plays ...
Wide-brimmed "saucer hats" were shown with the earliest New Look suits, but smaller hats soon predominated. Very short cropped hairstyles were fashionable in the early 1950s. By mid-decade hats were worn less frequently, especially as fuller hairstyles like the short, curly poodle cut and later bouffant and beehive became fashionable.
Conk hairstyle. The conk was a hairstyle popular among African-American men from the 1920s up to the early-to-mid 1960s. [1] This hairstyle called for a man with naturally "kinky" hair to have it chemically straightened using a relaxer called congolene, an initially homemade hair straightener gel made from the extremely corrosive chemical lye which was often mixed with eggs and potatoes.
Image credits: Loovenelle “The beehive was another big hair trend. It featured hair stacked high on top of the head, creating a kind of rounded and towering look,” adds Ross.
An early example of an eponymous hairstyle was associated with the 5th Duke of Bedford. In 1795, when the British government levied a tax on hair powder, as a form of protest Bedford abandoned the powdered and tied hairstyle commonly worn by men of that era in favor of a cropped, unpowdered style, making a bet with friends to do likewise. [14]