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St. Peter's Baldachin (Italian: Baldacchino di San Pietro, L'Altare di Bernini) is a large Baroque sculpted bronze canopy, technically called a ciborium or baldachin, over the high altar of St. Peter's Basilica in Vatican City, the city-state and papal enclave surrounded by Rome, Italy. The baldachin is at the center of the crossing, and ...
The four colossi in Saint Peter were approved by the Congregazione della Fabbrica of Saint Peter in a meeting held in May 1628. [1] While contemporary biographers of Duquesnoy and earlier, 20th century scholars believed that in this meeting a model by Duquesnoy (according to them risen to fame thanks to his Saint Susanna [1] [3]) received the approval of the Pope, [3] [1] modern scholars have ...
It is one of the four larger-than-life statues which frame the baldacchino in the transept of St. Peter's Basilica; each statues is associated with the basilica's primary holy relics (the other three statues in St. Peter are Bernini's Saint Longinus, Mochi's Saint Veronica, and Bolgi's St Helena).
Saint Longinus was one of four massive statues commissioned for the niches under the crossing of St Peter's, along with statues of St Andrew, St Helen, and St Veronica, all of whom have relics associated with them in the basilica. Small models were created by various artists, including one of St Andrew by Bernini.
He began his career making reduced-size copies of classical works in bronze. His major large-scale work was a statue of Saint Cecile (1600, for the Church of Saint Cecilia in the Trastevere in Rome. The saint's body lies stretched out, as if it were in a sarcophagus, evoking a sense of pathos. [9]
The Papal Basilica of Saint Peter in the Vatican City (Italian: Basilica Papale di San Pietro in Citta di Vaticano), or simply Saint Peter's Basilica (Latin: Basilica Sancti Petri; Italian: Basilica di San Pietro [baˈziːlika di sam ˈpjɛːtro]), is a church of the Italian High Renaissance located in Vatican City, an independent microstate enclaved within the city of Rome, Italy.
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