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Julius K. Nyerere: Nairobi: 1981 9780195721706 630305188 Julius Caesar: Swahili Juliasi Kaizari Julius K. Nyerere: Nairobi: 1985 9780195721690 475077976 The Merry Wives of Windsor: Catalan Les alegres comares de Windsor: Josep Carner: 1909 Gutenberg: A Midsummer Night's Dream: Afrikaans Midsomernagdroom: Eitemal (Professor W. J. du P. Erlank ...
(While the story of Julius Caesar was dramatised repeatedly in the Elizabethan/Jacobean period, none of the other plays known are as good a match with Platter's description as Shakespeare's play.) [4] Summary Cassius persuades his friend Brutus to join a conspiracy to kill Julius Caesar, whose power seems to be growing too great for Rome's good ...
Translator Target language A. de Herz: Romanian: August Wilhelm Schlegel: German: Avraham Shlonsky: Hebrew [1]: Barbu Solacolu: Romanian [2]: Boris Pasternak: Russian ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
The Tragedy of Julius Caesar (First Folio title: The Tragedie of Ivlivs Cæsar), often shortened to Julius Caesar, is a history play and tragedy by William Shakespeare first performed in 1599. In the play, Brutus joins a conspiracy led by Cassius to assassinate Julius Caesar , to prevent him from becoming a tyrant.
The Life of Caesar (original Greek title: Καίσαρ; translated into Latin as Vita Iulii Caesaris) is a biography of Julius Caesar written in Ancient Greek in the beginning of the 2nd century AD by the Greek moralist Plutarch, as part of his Parallel Lives.
In Julius Caesar there is a similar conflict between rival Machiavels: the noble Brutus is a dupe of his Machiavellian associates, while Antony's victorious "order", like Hal's, is a negative thing. In Hamlet king-killing becomes a matter of private rather than public morality—the individual's struggles with his own conscience and fallibility ...
However, similar duplications appear in Julius Caesar and Love's Labour's Lost and are generally thought to be examples of two versions being printed when only one was ultimately used in production, which could easily be the case here. [18]: p.193–194 [30] [31] Frank Kermode refers to the play as "a poor relation of the major tragedies."
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