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Print (color engraving) published June 12, 1802 by H. Humphrey, St. James's Street. In this cartoon, the British satirist James Gillray caricatured a scene at the Smallpox and Inoculation Hospital at St. Pancras, showing cowpox vaccine being administered to frightened young women, and cows emerging from different parts of people's bodies.
Original - 18th-century anti-vaccination quackery, as satirised by James Gillray. His illustration pokes fun of one of the claims made against the cow pox innoculation: That it would cause cow-like appendages to grow out of the body. Reason I don't believe we have any of James Gillray's work as FP. Without wanting to understate Hogarth's ...
James Gillray (13 August 1756 [1] [2] – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Moseley expressed his views before Parliament during investigations into the practice in 1802 and 1808. His outlandish theories were the basis for a satirical cartoon by James Gillray called “The Cow Pock” which portrayed small cows bursting out of human bodies. [4] [3] Moseley died in Southend, a favorite summer vacation spot, in 1819 ...
Works by the British caricaturist James Gillray (1756–1815) Pages in category "Works by James Gillray" The following 5 pages are in this category, out of 5 total.
Gillray explored the use of the medium for lampooning and caricature, and has been referred to as the father of the political cartoon. [4] Calling the king, prime ministers and generals to account, many of Gillray's satires were directed against George III , depicting him as a pretentious buffoon, while the bulk of his work was dedicated to ...
Isaac Cruikshank, James Gillray, and Thomas Rowlandson were considered the leading caricaturists during this period, and they produced many popular sketches and graphics satirizing contemporary issues. These three prominent artists' distinct styles and subject matter became notable and widespread throughout Europe, although they also adapted ...
The cartoon image of stolid, stocky, conservative and well-meaning John Bull, dressed like an English country squire, sometimes explicitly contrasted with the conventionalised scrawny, French revolutionary sans-culottes Jacobin, was developed from about 1790 by British satirical artists James Gillray, Thomas Rowlandson and Isaac Cruikshank.