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The song was written by Lou Reed and Sterling Morrison of the Velvet Underground, [2] whom Nico had collaborated with for their debut album the previous year. The title of the song and the album itself is a reference to the 1966 film of the same name by Andy Warhol , which Nico starred in herself.
"I Heard Her Call My Name" is a song by American rock band the Velvet Underground. It is the fifth track from the band's second album, White Light/White Heat.It is a particularly loud, brash and aggressive song that features a pair of atonal guitar solos performed by Lou Reed and repeated use of high pitched feedback.
"New Age" is the fifth song on The Velvet Underground album Loaded (1970). It is one of the four songs that feature Doug Yule on vocals, encouraged by main singer and songwriter Lou Reed. [1] The song also appears on 1969: The Velvet Underground Live, with Reed on vocals, singing an earlier, significantly different version of the lyrics ...
Underground homes are the new black, apparently. For premium support please call: 800-290-4726 more ways to reach us
Released on the same day as the single, the music video for Underground was filmed in Los Angeles. [4] The video features Stirling in a dystopian underworld, bound and trapped. Later in the video, which shows a future world city, Stirling appears as the Greek goddess Artemis in the clouds. In the first 6 hours, the video was viewed 300,000 ...
The song is from their 1967 debut studio album, The Velvet Underground & Nico. Inspiration for the song came from Reed's observation of Andy Warhol's clique—according to Reed, the song is "a very apt description of certain people at the Factory at the time. ... I watched Andy. I watched Andy watching everybody.
The song starts with the atmospheric sounds of a London Underground station, then a tense, syncopated beat carried by the bass guitar. The lyrics are sentimental, contrasting the warmth of home and domestic life with the dangers of 1970s London's urban decay and casual late-night violence. Tension is heightened by a heartbeat audio effect in ...
Sean Stangland of the Daily Herald described "Underground" as a "pop ballad that climaxes in a gospel celebration." [2] Similarly describing the song as "a joyous rave-up that starts out as synth-pop before transitioning to a gospel barnstormer", David Brusie of The A.V. Club noted that it had a similar production style to Bowie's 1983 Motown-influenced song "Modern Love".