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The International Songwriting Competition (ISC), [1] founded in 2002, [2] [3] is an annual songwriting contest for both amateur and professional songwriters. There is no physical event to attend as the competition is held online, and anyone in the world can enter.
Released on the same day as the single, the music video for Underground was filmed in Los Angeles. [4] The video features Stirling in a dystopian underworld, bound and trapped. Later in the video, which shows a future world city, Stirling appears as the Greek goddess Artemis in the clouds. In the first 6 hours, the video was viewed 300,000 ...
The Underground World Home was an exhibit at the 1964 New York World's Fair of a partially underground house which doubled as a bomb shelter.Designed by architect Jay Swayze, who made a specialty of underground homes, it was situated on the campus of the expo besides the Hall of Science and north of the expo's heliport in Flushing Meadows–Corona Park in Queens.
Underground homes are the new black, apparently. For premium support please call: 800-290-4726 more ways to reach us
Sean Stangland of the Daily Herald described "Underground" as a "pop ballad that climaxes in a gospel celebration." [2] Similarly describing the song as "a joyous rave-up that starts out as synth-pop before transitioning to a gospel barnstormer", David Brusie of The A.V. Club noted that it had a similar production style to Bowie's 1983 Motown-influenced song "Modern Love".
"Underground" is a song from Ben Folds Five's 1995 self-titled debut album. [1] It was written by Ben Folds. [2] The song is about geeks and social outcasts looking for solace in numbers in underground music and art scenes. It peaked at #37 on the UK Singles Chart. [3] The track was #3 for the year of 1996 on Australia's Triple J Hottest 100. [4]
"6 Underground" is a song by the English band Sneaker Pimps from their debut studio album, Becoming X (1996). First released as a single in the United Kingdom in September 1996 by Clean-up Records, the song reached number 15 on the UK Singles Chart and had moderate radio airplay in the United States, where it was shipped to modern rock and dance stations in February 1997.
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