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Hohner's main Chord is known as the Hohner 48, because it plays 48 chords. Hohner from the 1930s to the late 1960s also produced the Polyphonia No. 8, which played 36 blow-only chords, in three rows. The concept failed and is often frowned upon by professional 48 chord players.
The Hohner Multimonica (introduced in 1940 [1]) featured a combination of a fan-blown reed organ and a monophonic sawtooth wave analog synthesizer. Produced by the German Hohner GmbH in the 1940s and 1950s, it preceded even the more famous Selmer Clavioline. Its circuitry was designed by the German engineer Harald Bode.
The Guitaret is an electric lamellophone made by Hohner and invented by Ernst Zacharias, in 1963. [1] Zacharias also invented similar instruments like the Pianet, Cembalet and the Clavinet. [2] [3] The instrument itself was not popular, and was dropped from the product line in 1965, presumably because it failed to excite the market.
Hohner Harmonetta Diagram of the Harmonetta keyboard (German note names.) The Hohner Harmonetta is a mouth-blown free-reed instrument which was introduced by Hohner in the 1950s. It has an approximately 3-octave range, from C3 to B5. The Harmonetta combines features of the harmonica and the melodica.
It was a reed-based electric piano intended for home use, and the first keyboard produced by Hohner as a piano-like instrument rather than an instrument having the sustained note of an organ. It was adopted by popular musicians for recording and performance in the early 1960s because it was portable and easy to amplify electronically.
In combination with the pipes, the claviola uses reeds blown from the "wrong" side compared to reeds in most Western free-reed instruments, resulting in a much mellower, less reedy tone, and pitch dependent on the pipe length. The player can use his or her left hand to shade or cover the pipe openings, to bend notes or add vibrato. [2] [3]
The Clavinet is an electric clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982.The instrument produces sounds with rubber pads, each matching one of the keys and responding to a keystroke by striking a given point on a tensioned string, and was designed to resemble the Renaissance-era clavichord.
Also, a "hands-free" modification to the Hohner 270 (12-hole) lets the player shift the tones by moving the mouthpiece up and down with the lips, leaving the hands free to play another instrument. While the Richter-tuned 10-hole chromatic is intended to play in only one key, the 12-, 14-, and 16-hole models (which are tuned to equal temperament ...
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