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Dutch Golden Age painting was among the most acclaimed in the world at the time, during the seventeenth century. During the Dutch Golden Age, there was such a high output of paintings that prices for artwork declined. From the 1620s, Dutch painting broke decisively from the Baroque style typified by Rubens in neighboring Flanders into a more ...
A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth century Based on the work of John Smith, Volume I (Jan Steen, Gabriel Metsu, Gerard Dou, Pieter de Hooch, Carel Fabritius, Johannes Vermeer of Delft), by Cornelis Hofstede de Groot, with the assistance of Wilhelm Reinhold Valentiner, translated by Edward G. Hawke, Macmillan & Co., London, 1908
He gave this painting in turn to the English Ambassador, who presented it to James I. This was the reason why in 1631, when Lievens was 24, he was invited to the British court. [ 1 ] Houbraken appears to have taken this account directly from Jan Orlers' Beschrijvinge der Stad Leyden (1641) which gives a life of Jan Lievens in pages 375-7 ...
Still Life Paintings from the Netherlands 1550–1720, (Dutch:Het Nederlandse Stilleven 1550–1720) is a 1999 art exhibition catalog published for a jointly held exhibition by the Rijksmuseum Amsterdam (19 June – 9 September 1999) and Cleveland Museum of Art (31 October 1999 – 9 January 2000).
The Mauritshuis (Dutch pronunciation: [ˈmʌurɪtsˌɦœys], The Hague dialect: [ˈmɑːʁɪtsˌɦœːs]; lit. ' Maurice House ') is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings.
Italian Renaissance influences begin to show on Early Netherlandish painting around 1500, but in many ways the older style was remarkably persistent. Antwerp Mannerism is a term for painters showing some Italian influence, but mainly continuing the style and subjects of the older masters.
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