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The concept of a human shrinking in size has existed since the beginning of cinema, with early films using camera techniques to change perceptions of human sizes. The earliest film to have a shrunken person was a 1901 short The Dwarf and the Giant by Georges Méliès in which a character was split into two, with one growing in size and the ...
The 1972 short film A Computer Animated Hand by Edwin Catmull and Fred Parke was the first time that computer-generated imagery was used in film to simulate moving human appearance. The film featured a computer simulated hand and face (watch film here). The 1976 film Futureworld reused parts of A Computer Animated Hand on the big screen.
A shrunken head is a severed and specially-prepared human head – often decreased to many times smaller than typical size – that is used for trophy, ritual, trade, or other purposes. Headhunting is believed to have occurred in many regions of the world since time immemorial , but the practice of headshrinking has only been documented in the ...
It features 64 images of the Brazilian footballer Kaká. This has been declared the largest zoetrope in the world by Guinness World Records. [46] [47] In 2010, the artist Yishay Garbasz created a 3 meter wide zoetrope for the Busan Biennale with images of her naked body one year before to one year after her gender-affirming surgery. [48]
The giantess theme has also appeared in motion pictures, often as a metaphor for female empowerment or played for absurd humor. The 1958 B-movie Attack of the 50 Foot Woman formed part of a series of size-changing films of the era which also included The Incredible Shrinking Man, The 30 Foot Bride of Candy Rock, and Village of the Giants.
Close-up of the surface of a lenticular print. Lenticular printing is a technology in which lenticular lenses (a technology also used for 3D displays) are used to produce printed images with an illusion of depth, or the ability to change or move as they are viewed from different angles.
The live-action/animated comedy film Osmosis Jones stars a white cell cop trying to stop a deadly virus from destroying the human he guards. [48] [49] The concept of entering the human body popularized by Fantastic Voyage has been greatly influential especially in animated TV shows, of which there are several examples:
More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated (see e. g. videos on this page of works of George Rickey and Uli Aschenborn). The moving parts are generally powered by wind, a motor [2] or the observer. Kinetic ...