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Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
Panel at right is Death and the Miser. At bottom "The Wayfarer" which would have been on the outside of the triptych. Allegory of Intemperance is an oil on wood painting by the Dutch artist Hieronymus Bosch made c. 1490–1500. It is held in the Yale University Art Gallery, in New Haven, Connecticut. [1]
Fragment of a lost triptych which also included Ship of Fools (the Allegory would be the lower part of that outer wing) and Death and the Miser (the other outer wing). Death and the Miser c. 1500–1510 Oil on wood 92.6 × 30.8 cm National Gallery of Art, Washington, D.C., USA Outer wing of a lost triptych. The other outer wing comprised Ship ...
The other wing, which has more or less retained its full length, is the Death and the Miser, now in the National Gallery of Art, Washington, D.C. The two panels together would have represented the two extremes of prodigality and miserliness, condemning and caricaturing both. The Wayfarer (Rotterdam) was painted on the right panel rear of the ...
Egon Schiele is a university student living in artistic poverty in pre-WWI Vienna with his younger sister whom he cares for with funds sent from Prague by a rich uncle. . Unknown to his uncle, Egon has stopped going to university in order to dedicate himself to his drawing of fine art and his execution of related oil paint
The Year Without a Santa Claus, a Christmas special from Jules Bass and Arthur Rankin, Jr., turns 50 this December. The beloved special was adapted from the book of the same name by Phyllis ...
The presence of death, but also the connection between death and eros in several of his works from this period, is associated with this event. In this painting he uses a Renaissance motif, the contrast between death and the maiden. In this painting, the woman clutching the shape of death as her lover, in a monk's robe, loses its horror.
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