Search results
Results from the WOW.Com Content Network
Limoges enamel was usually applied on a copper base, but also sometimes on silver or gold. [5] Preservation is often excellent due to the toughness of the material employed, [5] and the cheaper Limoges works on copper have survived at a far greater rate than courtly work on precious metals, which were nearly all recycled for their materials at some point.
High-quality Mosan 12th century armlet, somewhat damaged, so showing the cast recesses for the enamel. Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel.
Shotai shippo ("Japanese plique-à-jour"): A layer of flux (clear enamel) is fired over a copper form. Wires are fired onto the flux (similar to cloisonné) and the resulting areas are enameled in the colors of choice. When all the enameling is finished, the copper base is etched away leaving a translucent shell of plique-à-jour. 4.
Counter-enamelling, not strictly a technique, but a necessary step in many techniques, especially painted enamel on thin plaques; introduced in 15th-century Europe. Enamel is applied to the back of a piece as well – sandwiching the metal – to equalize the rates of expansion under heat, and so create less tension on the glass so it does not ...
Romanesque champlevé enamel was applied to a cheap copper or copper alloy form, which was a great advantage, but for some pieces the prestige of precious metal was desired, and a small number of nielloed silver pieces from c. 1175–1200 adopt the ornamental vocabulary developed in Limoges enamel. [25]
Émail en résille sur verre ("enamel in a network on glass") is a rare and difficult enameling technique first practiced for a brief period in seventeenth-century France. [1] It was later revived by American metalsmith Margret Craver , who encountered the technique in 1953 and spent 13 years re-creating and perfecting it.
The Dunstable Swan Jewel, a livery badge, about 1400. British Museum The Holy Thorn Reliquary in the British Museum; Paris, probably before 1397. Ronde-bosse, en ronde bosse or encrusted enamel is an enamelling technique developed in France in the late 14th century that produces small three-dimensional figures, or reliefs, largely or entirely covered in enamel.
Black for copper. Solution of sodium polysulfide 2.5%, items must be submerged in the solution after color developing, wash, dry and wax or varnish colored object. [27] Brown for copper. Items are boiled in at least 3-day-old water solution of 12% copper sulfate, after color being developed, the material is washed, dried and waxed or varnished ...