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Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete. [9] Relying solely on private donations, Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War.
Syedi Fakhruddin Shaheed is the 11th-century holy Ismaili, Fatimid, mustaali saint who was first Ismaili martyr, martyred during missionary work among Bhils local tribal in Rajasthan and buried in Galiakot, India. The mausoleum is the most venerated place amongst his followers.
Portrait by Andrea del Castagno, c. 1450. The details of Boccaccio's birth are uncertain. He was born in Florence or in a village near Certaldo where his family was from. [5] [6] He was the son of Florentine merchant Boccaccino di Chellino and an unknown woman; he was likely born out of wedlock. [7]
The bones were buried at the footsteps of the Vitthal temple. In early 20th century, the Dalit leader B. R. Ambedkar attempted to visit the temple, but was stopped at the burial site of Chokhamela and denied entry beyond that point for being a Mahar. [9]
Page from Vita Sancti Martini by Sulpicius Severus. A hagiography (/ ˌ h æ ɡ i ˈ ɒ ɡ r ə f i /; from Ancient Greek ἅγιος, hagios 'holy' and -γραφία, -graphia 'writing') [1] is a biography of a saint or an ecclesiastical leader, as well as, by extension, an adulatory and idealized biography of a preacher, priest, founder, saint, monk, nun or icon in any of the world's religions.
As the century progressed, "graveyard" poetry increasingly expressed a feeling for the "sublime" and uncanny, and an antiquarian interest in ancient English poetic forms and folk poetry. The "graveyard poets" are often recognized as precursors of the Gothic literary genre , as well as the Romantic movement.
For instance, Eliade's The Sacred and the Profane partially builds on Otto's The Idea of the Holy to show how religion emerges from the experience of the sacred, and myths of time and nature. Eliade is known for his attempt to find broad, cross-cultural parallels and unities in religion, particularly in myths.
In India, cenotaphs are a basic element of Hindu architecture, later used by Moghuls as seen in most of the mausoleums of Mughal Emperors which have two burial chambers, the upper one with a cenotaph, as in Humayun's Tomb, Delhi, or the Taj Mahal, Agra, while the real tomb often lies exactly below it, or further removed.