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Digital media playback of high-resolution 2K files has at least a 20-year history. Early video data storage units fed custom frame buffer systems with large memories. In early digital video units, the content was usually restricted to several minutes of material. Transfer of content between remote locations was slow and had limited capacity.
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
This is based on the equivalent of a 25 exposure length of 35mm still camera film. Many projectors were equipped to show both formats. Early celluloid filmstrips were susceptible to combusting like all nitrate-based film. Furthermore, unlike conventional film stock, individual frames of this kind of film allow projecting for a relatively ...
135 film. The film is 35 mm (1.4 in) wide. Each image is 24×36 mm in the most common "small film" format (sometimes called "double-frame" for its relationship to the "single-frame" 35 mm movie format or full frame after the introduction of 135 sized digital sensors; confusingly, "full frame" was also used to describe the full gate of the movie format half the size).
Cinematographer Dion Beebe described the Viper as the "primary camera" on Collateral; [7] on both Zodiac [8] and Collateral 35mm film was used only for overcranking. [9] [10] Zodiac was the first digital feature film made by a major studio without using videotape or compression in its capture or editing.
Neopan SS was a 100 ISO, fine grain, ortho-panchromatic film with a wide exposure latitude introduced as a roll film in 1952 and 35mm in 1953. The film came with a 2.5 times sensitivity increase in comparison to what Fujifilm was currently producing (SP). Over the years, improvements were made to this film.