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Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
See also References External links Four Evangelists Main article: Four Evangelists The symbols of the four Evangelists are here depicted in the Book of Kells. The winged man, lion, eagle and bull symbolize, clockwise from top left, Matthew, Mark, John, and Luke. Saint Symbol Matthew winged man or angel Mark winged lion Luke winged bull John eagle The Apostles Main article: Apostles in the New ...
Saint Anthony with the Christ Child is the name of the following paintings: Saint Anthony with the Christ Child, the name of two 17th-century paintings by Bartolomé Esteban Murillo; The Vision of Saint Anthony of Padua, also known as Saint Anthony with the Christ Child, a 1730 oil-on-canvas painting by Giambattista Pittoni
Christ Appearing to Saint Anthony Abbot or The Temptation of Saint Anthony is a 1598-1600 oil on copper painting of Anthony the Great by Annibale Carracci. It was acquired in the 19th century by an English collector and bought in 1846 by the National Gallery, London , where it still hangs.
The Saint Anthony Monument [a] is a monument in Lisbon, Portugal, located at the Alvalade Square, within the civil parish of Alvalade. It consists of a bronze statue on a pedestal formed by 4 marble blocks. The statue depicts Anthony of Padua, a 12th- and 13th-century Roman Catholic priest, who is the official patron saint of the city of Lisbon.
Two staircases provide access to the gantry of the church, where a statue of Saint Anthony of Padua stands holding the Christ Child. Inside, the church is constructed of three naves, divided by two columns of pillars made of pink marble. The general decoration of the church was done by Friar Bonaventura Loffredo da Alghero in 1889–1890.
The Torment of Saint Anthony [2] (or The Temptation of Saint Anthony, c. 1487–88) is a painting by Michelangelo, who painted this close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. Whether the painting is by Michelangelo is disputed. [3]