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The transition from the BBC to the micro:bit Education Foundation moved the official home of the micro:bit from microbit.co.uk to microbit.org. The BBC licensed the hardware technology as open source and allows it to be manufactured around the world for use in education. The foundation oversees this. [31] [32]
Keykit, a programming language and portable graphical environment for MIDI music composition; Kyma (sound design language) LilyPond, a computer program and file format for music engraving. Max/MSP, a proprietary, modular visual programming language aimed at sound synthesis for music; Music Macro Language (MML), often used to produce chiptune ...
Comma separated strings represent separate voice channels. Music hardware expansions such as MSX-Music, MSX-Audio and MSX-MIDI expand PLAY-command so that also FM-chips and external MIDI devices can be controlled through MML. Sharp Pocket computer music routine PLAYX - MyArchive.Nihongo -> ja:ポケットコンピュータの製品一覧.
This 2009 photo shows music production using a digital audio workstation (DAW) with multi-monitor setup.. Music technology is the study or the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, playback or record songs or pieces; or to analyze or edit music.
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
The Standard Music Font Layout , which is supported by the MusicXML format, expands on the Musical Symbols Unicode Block's 220 glyphs by using the Private Use Area in the Basic Multilingual Plane, permitting close to 2600 glyphs.
Chiptune, also called 8-bit music, is a style of electronic music made using the programmable sound generator (PSG) sound chips or synthesizers in vintage arcade machines, computers and video game consoles. [11]
Bitpop music began gaining popularity towards the end of the 1990s. The first electroclash record, I-F 's "Space Invaders Are Smoking Grass" (1997), has been described as "burbling electro in a vocodered homage to Atari-era hi-jinks," [ 6 ] particularly Space Invaders . [ 7 ]