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The WPA led to a new wave of important black art professors. Mixed media, abstract art, cubism, and social realism became not only acceptable, but desirable. Artists of the WPA united to form the 1935 Harlem Artists Guild, which developed community art facilities in major cities. Leading forms of art included drawing, sculpture, printmaking ...
"Negro History Week, and later Black History Month, provided, and still provides, a counterpoint to the narratives that either ignore the contributions of Black Americans or misrepresent the history."
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
The way a painting can use certain color pallets is akin to how a person can use tone to help others understand their word. Kolanowski uses this technique in her piece "Muses of Black History ...
Elizabeth Catlett (1915-2012) is a famous Black female artist with a knack for combining abstract and figurative styles, plus African and Mexican art traditions, to create sculptures and prints ...
Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic ...
The invention of new synthetic pigments in the 18th and 19th centuries considerably brightened and expanded the palette of painters. J. M. W. Turner experimented with the new cobalt blue, and of the twenty colors most used by the Impressionists, twelve were new and synthetic colours, including cobalt blue, ultramarine and cerulean blue. [50]