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Unlike new extreme films, new French horror emphasises gory violence, torture, and monstrous others. There is often an individual or a group who constitutes the violent monster against which the protagonists must struggle, with death and injury following the main characters until the end of the film when they either escape or are defeated by ...
Gaspar Noé (Spanish: [gasˈpaɾ noˈe]; French: [ɡaspaʁ nɔ.e]; born 27 December 1963) is an Argentine filmmaker, who lives and worked primarily in France. [1] He is one of the primary exponents of New French Extremity, with his most notable works including the feature films I Stand Alone (1998), Irréversible (2002), Enter the Void (2009), Love (2015), Climax (2018), Lux Æterna (2019 ...
Bertrand Bonello (French: [bɛʁtʁɑ̃ bɔnɛlo]; born 11 September 1968) is a French film director, screenwriter, producer, composer and actor.His work has been associated with the New French Extremity. [2]
In the 2000s, a movement of transgressive films in France known as "New French Extremity" has been described as an arthouse horror film movement. [ 6 ] Although commentators have suggested some horror films have exemplified qualities applicable to "art horror" for many decades, the term became more widely used during the 2010s, with independent ...
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Although Quandt coined the term New French Extremity, he quickly acknowledged this was a mistake, and most writing since (e.g. by Horeck & Kendall, Mattias Frey, Asbjørn Grønstad, and others see it as existing far beyond France (think of The Idiots, A Hole in my Heart, A Serbian Film, Taxidermia, etc.)
Film director and critic François Truffaut in 1965. Even before auteur theory, the director was considered the most important influence on a film. In Germany, an early film theorist, Walter Julius Bloem, explained that since filmmaking is an art geared toward popular culture, a film's immediate influence, the director, is viewed as the artist, whereas an earlier contributor, like the ...
Notable for its graphic depiction of violence, rape, torture, and sexual imagery, rape and revenge films have attracted critical attention and controversy, often gaining a cult following and retrospectively associated with the New French Extremity, underground cinema, and arthouse cinema. [1] [2] [3] [4]