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In color theory, the line of purples or purple boundary is the locus on the edge of the chromaticity diagram formed between extreme spectral red and violet. Except for these endpoints of the line, colors on the line are non-spectral (no monochromatic light source can generate them). Rather, every color on the line is a unique mixture in a ratio ...
The equivalent color on a computer to the pigment color red-violet shown above would be this electric purple, i.e. the much brighter purple you can see reproduced on the screen of a computer. This color is pure purple conceived as computer artists conceive it, as the color on the color wheel halfway between color wheel violet and electric ...
A color wheel or color circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms color wheel and color circle interchangeably; [2] [3] however, one term or the other may be more prevalent in certain fields ...
Dark reddish purple. B: Normalized to [0–255] (byte) The color Japanese violet or Sumire is shown at right. This is the color called "violet" in the traditional Japanese colors group, a group of colors in use since beginning in 660 CE in the form of various dyes that are used in designing kimono.
The Munsell color system, showing: a circle of hues at value 5 chroma 6; the neutral values from 0 to 10; and the chromas of purple-blue (5PB) at value 5. In colorimetry, the Munsell color system is a color space that specifies colors based on three properties of color: hue (basic color), value ( lightness ), and chroma (color intensity).
The first letter of the color code is matched by order of increasing magnitude. The electronic color codes, in order, are: 0 = Black; 1 = Brown; 2 = Red; 3 = Orange; 4 = Yellow; 5 = Green; 6 = Blue; 7 = Violet; 8 = Gray; 9 = White; Easy to remember. A mnemonic which includes color name(s) generally reduces the chances of confusing black and brown.
RYB (an abbreviation of red–yellow–blue) is a subtractive color model used in art and applied design in which red, yellow, and blue pigments are considered primary colors. [1] Under traditional color theory, this set of primary colors was advocated by Moses Harris, Michel Eugène Chevreul, Johannes Itten and Josef Albers, and applied by ...
The color scheme of a logo is typically purely aesthetic. A color scheme in marketing is referred to as a trade dress and can sometimes be protected by trademark or trade dress laws, as is the pink color of Owens Corning fiberglass. Achromatic. Any color that lacks strong chromatic content is said to be unsaturated, achromatic, or near neutral.