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A difficult passage in a concerto might be furnished by the editor with an easier alternative called the obbligato (but more commonly and correctly termed an ossia); or a work may have a part for one or more solo instruments, marked obbligato, that is decorative rather than essential; the piece is complete and can be performed without the added ...
Composed in 1962, the Oboe Sonata is the last of Poulenc's last works, three sonatas for wind instruments and piano, the others being the Flute Sonata (1956) and the Clarinet Sonata (1962). It is dedicated to the memory of Sergei Prokofiev. [1][2]
The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, and popular music. The oboe is widely recognized as the instrument that tunes the orchestra with its distinctive 'A'.
"Gabriel's Oboe" is the main theme for the 1986 film The Mission, with Robert de Niro, Jeremy Irons, Liam Neeson and directed by Roland Joffé. [1] The theme was written by Italian composer Ennio Morricone , and has since been arranged and performed several times by artists such as Yo-Yo Ma , [ 2 ] Holly Gornik, [ 3 ] and Brynjar Hoff , [ 4 ...
Oboe Sonata (Saint-Saëns) Camille Saint-Saëns 's Oboe Sonata in D major, Op. 166 was composed in 1921, the year of the composer's death. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Clarinet Sonata (Op. 167) and the Bassoon Sonata (Op. 168), written the same year.
Ten Blake Songs. Ten Blake Songs is a song cycle for tenor or soprano voice and oboe composed over the Christmas period of 1957 by Ralph Vaughan Williams (1872–1958), for the 1958 film The Vision of William Blake by Guy Brenton for Morse Films. [1] The first nine songs are from Songs of Innocence and of Experience by the English poet and ...
The song is a ballad, blending pop and R&B beats while incorporating its sound from several instruments including the violin, piano and organ. Lyrically, the song speaks of finding inner strength, and not allowing others to tear away your dreams. The song was well received by critics, many of whom complimented the lyrics, as well as Carey's vocals.
The music of the first metamorphosis echoes the "free-spirited" character of its titular figure: it is unmeasured and includes frequent pauses. This contrasts with the second metamorphosis, a quick and rhythmic representation of the chariot ride of Phaeton, marked vivace ritmico. The third is slower and is marked piangendo, or "crying". The ...
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