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Wooden dandy horse (around 1820), a patent-infringing copy of the first two-wheeler Original Laufmaschine of 1817 made to measure.. The dandy horse, an English nickname for what was first called a Laufmaschine ("running machine" in German), then a vélocipède or draisienne (in French and then English), and then a pedestrian curricle or hobby-horse, [1] or swiftwalker, [2] is a human-powered ...
In 1862 while Lallement was employed building baby carriages in Nancy he saw someone riding a dandy horse, a forerunner of the bicycle that required the rider to propel the vehicle by walking. Lallement modified what he had seen by adding a transmission comprising a rotary crank mechanism and pedals attached to the front-wheel hub , thus ...
Some two-wheeled designs had pedals mounted on the front wheel, while three- and four-wheeled designs sometimes used treadles and levers to drive the rear wheels. The earliest usable and much-copied velocipede was created by the German Karl Drais and called a Laufmaschine (German for "running machine"), which he first rode on June 12, 1817.
It is the first reliable claim for a practically used precursor to the bicycle, basically the first commercially successful two-wheeled, steerable, human-propelled machine, nicknamed hobby-horse or dandy horse. [1] Drais's dandy horse, called Draisine in German, whose name was inherited by the rail vehicle. (drawing published in 1817.)
The original pedal-bicycle, with the serpentine frame, from Pierre Lallement's US Patent No. 59,915 drawing, 1866 New York company Pickering and Davis invented this pedal-bicycle for ladies in 1869. [27] [28] Bicycle historian David V. Herlihy documents that Lallement claimed to have created the pedal bicycle in Paris in 1863.
A higher gear allows a cyclist to make fewer pedal turns to maintain a given speed, but with more effort per turn of the pedals. With a chain drive transmission, a chainring attached to a crank drives the chain, which in turn rotates the rear wheel via the rear sprocket(s) ( cassette or freewheel ).
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Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard 's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song " (I Can't Get No) Satisfaction ".
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