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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Canon ad duodecimam: Confitebor tibi Domine for 3 voices; Canon. Ter voce ciemus: Thebana bella for 6 voices: unknown: Summer 1770 89a: 73i "Canon for 4 instruments" — April 1770 228: 515b "Ach! zu kurz" Double canon for 4 voices: unknown: before 24 June 1787 229: 382a "Sie ist dahin" Canon for 3 voices: Ludwig Heinrich Christoph Hölty (1748 ...
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue , known as Canon and Gigue for 3 violins and basso continuo .
Sonata No. 1 for violin and piano (1963; orchestrated, 1968) [note 1] Dialogue for cello and 7 instruments (1965) String Quartet No. 1 (1966) Serenade for violin, clarinet, double-bass, piano and percussion (1968) Sonata No. 2 for violin and piano "Quasi una sonata" (1968; orchestrated, 1987) Canon in Memoriam Igor Stravinsky for string quartet ...
The 'Violin Sonatas', KV 10–15, are unique in that they include an ad lib. cello part along with the score for violin and keyboard. The Neue Mozart-Ausgabe (1966) therefore includes them along with the other keyboard trios, although the Köchel catalogue (K 6 , 1964) lists them as normal violin sonatas.
In his early work, such as Piano Phase (1967) and Clapping Music (1972), Steve Reich used a process he calls phasing which is a "continually adjusting" canon with variable distance between the voices, in which melodic and harmonic elements are not important, but rely simply on the time intervals of imitation.
Early sonata for violin and piano; Sonata No. 1 for violin and piano, 1921; Sonata No. 2 for violin and piano, 1922; Sonata for solo violin, 1944; Arnold Bax. Violin Sonata in G minor (1901) (recently recorded on ASV but a rarity) Sonata No. 1 in E major, first version 1920/1, revised 1945 (, ) Sonata No. 2 in D major, 1915/1921 ()
The Royal Theme is played on the double bass, with Milt Jackson (vibraphone) and John Lewis (piano) weaving the two imitative contrapuntal voices above: Canon from The Musical Offering. Isang Yun composed Königliches Thema for Solo Violin, a passacaglia on the Thema Regium with Asian and Twelve-tone influences, written in 1970.
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