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Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2] It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac. [3]
Der Rosenkavalier is a 1926 Austrian silent film of the opera of the same name by Richard Strauss (music) and Hugo von Hofmannsthal . Directed by Robert Wiene, it premiered on 10 January 1926 at the Dresden Semperoper, which had also hosted the actual opera's premiere 15 years earlier. Hofmannsthal considerably changed the storyline for the ...
This is a discography of Der Rosenkavalier, [1] [2] [3] an opera in three acts with music by Richard Strauss to a German-language libretto by Hugo von Hofmannsthal. Der Rosenkavalier was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt.
Her stage debut was in Graz in 1993 as Octavian (Der Rosenkavalier). [1] In 1993, she became a member of the Vienna State Opera , and made her debut there as Cherubino ( The Marriage of Figaro ). Also in 1993, she was awarded the Mozartinterpretationspreis of the Mozart Society of Vienna .
He nonetheless conducted frequently at Covent Garden and was immensely popular there, [1] leading among other works, Salome, Elektra, Der Rosenkavalier, Der Ring des Nibelungen, Un Ballo in Maschera and Madama Butterfly, of which the critic Andrew Porter compared Kempe's operatic conducting favourably with that of Arturo Toscanini and Victor de ...
Strauss, Elektra & Der Rosenkavalier Suites, Reference (2016) Bruckner, Symphony No. 4, Reference (2015) Beethoven, Symphonies No. 5 and 7, Reference (2015) Dvořák, Symphony No. 8 and Janáček, Jenufa Suite, Reference (2014) Richard Strauss, Don Juan, Death and Transfiguration, Till Eulenspiegel, Reference (2013)
In the summer of 2017, the orchestra performed Richard Strauss' Der Rosenkavalier Suite, Till Eulenspiegel's Merry Pranks, Benjamin Britten's Four Sea Interludes from Peter Grimes and Debussy's La mer. The 2018 season opened with Richard Strauss’ Serenade for 13 Wind Instruments.
The fifth and final section is set to the first sequence of waltzes from Richard Strauss's opera Der Rosenkavalier. The woman, in a white ballgown, first dances alone and her partner, in a black tailcoat, briefly joins her a few times. [1] [4]: 236 Farrell, who created the lead female role, described the partner as "somewhat absent." She noted ...