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Compas (French pronunciation:; Haitian Creole: konpa dirèk; [2] French: compas direct), also known as konpa or kompa, is a modern méringue dance music genre of Haiti. [1] The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957.
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
Zumba was created in the 1990s by dancer and choreographer Beto Pérez, an aerobics instructor in Cali, Colombia.After forgetting his usual music one day, and using cassette tapes of Latin dance music (salsa and merengue) for class, Pérez began integrating the music and dancing into other classes, calling it "Rumbacize".
American Dance Therapy Association is the only organization solely dedicated to the growth and enhancement of the profession of dance/movement therapy (DMT). It was founded in 1966 [ 1 ] by Marian Chace , Elissa Queyquep White, Claire Schmais, and several practitioners from across the United States.
Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or it may interpret the musical accompaniment, which is often specially composed and performed in a theatre setting but it is not a requirement.
A folk dance is a dance that reflects the life of the people of a certain country or region. Not all ethnic dances are folk dances. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances.
Umteyo: a Xhosa dance performed by young men, in which the whole torso is undulated rapidly. The Xhensa dance is a similar form performed by older men, accompanied by clapping, singing, and roaring. [34] Ukusina: a Zulu women's dance performed in South Africa during Umemulo, the women's coming of age ceremony.
These were the cases of Samba de Gafieira, a dance style developed in the ballroom dance of suburban clubs in Rio de Janeiro frequented by people with low purchasing power throughout the 1940s and 1950s and which also became a fad among upper-middle-class people in the 1960s, [338] [339] and the samba rock, a dance style born in the São Paulo ...