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This is likely when the letters are in reverse alef-beit order, or when the abbreviation consists of a single letter followed by a geresh. For example, the year תשע״ד or [5]774 AM, or the ד׳ רוּחוֹת four directions. To indicate a double meaning, where both the gematria of the word or phrase should be taken, as well as the plain ...
The usage of Hebrew acronyms extends to liturgical groupings: the word Tanakh (תנ״ך) is an acronym for Torah (Five Books of Moses), Nevi'im (Book of Prophets), and Ketuvim (Hagiographa). Most often, though, one will find use of acronyms as acrostics, in both prayer, poetry (see Piyyut), and kabbalistic works. Because each Hebrew letter also ...
Some Hebrew acronyms are not included here; they may be found in the List of Hebrew acronyms. Many of the abbreviations here are similar or identical to corresponding Hebrew acronyms. In fact, a work written in Aramaic may have Hebrew acronyms interspersed throughout (ex. Talmud, Midrash), much as a Hebrew work may borrow from Aramaic (ex. Tanya).
A.U. – Alma Urbs ("Beloved City" — i.e., Rome) Authen. – Authentica ("Authentic" — e.g. letters) Aux. – Auxilium, Auxilio ("Help", "With the help of") A.D. – Ante Diem (e.g. in the phrase, "Ante Diem VI [or Sextum] Kal. Apriles", is equivalent to the sixth day before the Calends of April, counting both the Calends and the day ...
The usual modern pronunciation of this word is , while a transcription of the Biblical and Mishnaic pronunciation would have likely been [ħai̯] (with a pharyngeal consonant). In Hebrew, the related word chaya (חיה ) means "living thing" or "animal", and is derived from the Hebrew word chai (חי ), meaning "alive".
Ancient Hebrew music, like much Arabic music today, was probably monophonic; that is, there is no harmony. Niebuhr refers to the fact that when Arabs play on different instruments and sing at the same time, almost the same melody is heard from all, unless one of them sings or plays as bass one and the same note throughout.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
In the words of Peter Gradenwitz, from this period onwards, the issue is "no longer the story of Jewish music, but the story of music by Jewish masters." [ 24 ] Jacques Offenbach (1819–1880), a leading composer of operetta in the 19th century, was the son of a cantor, and grew up steeped in traditional Jewish music.