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The prescribed readings for the Sunday were from the First Epistle of John, "God is Love" (1 John 4:16–21), and from the Gospel of Luke, the parable of the Rich man and Lazarus (Luke 16:19–31). The text is based on Johann Rist 's hymn " O Ewigkeit, du Donnerwort ", which was published in the collection Himlische Lieder (Heavenly songs) in ...
[11] Briauna Prieto of Peer Magazine wrote a positive review of the song, saying: ""In Jesus' Name (God of Possible)" by Katy Nichole reminds us that strength and endurance only come from the power of Jesus—power that is always ours! Although this song is slow, easy to follow and simple to learn, it contains a huge message, and could serve as ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 26 October 2024. 1928 single by Blind Willie Johnson For Television Episode by the same name, see In My Time of Dying (Supernatural). "Jesus Make Up My Dying Bed" Original 1928 78-rpm record Single by Blind Willie Johnson Released 1928 (1928) Recorded Dallas, Texas, December 3, 1927 Genre Gospel blues ...
The song was orchestrated by Don Bagley and Bob Harris and produced by Graham Nash, [4] with a production designed for radio airplay. [citation needed] The last-minute addition of “Jesus Was a Cross Maker” to Sill's debut album necessitated the removal of two songs, “The Pearl” and “The Phoenix,” which later appeared on her 1973 album Heart Food.
Jesus is considered here as the Word. A broad phrase, "infinitely slow", on the cello, magnifies with love and reverence the eternity of the Word, powerful and gentle, "whose time never runs out". The melody stretches majestically into a kind of gentle, regal distance. "In the beginning was the Word, and Word was with God, and the Word was God."
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
God has revealed himself to us in the Bible as having always existed. [6] Ray Comfort, author and evangelist, writes: No person or thing created God. He created "time," and because we dwell in the dimension of time, reason demands that all things have a beginning and an end. God, however, dwells outside of the dimension of time.