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Over time, venus came to refer to any artistic depiction in post-classical art of a nude woman, even when there was no indication that the subject was the goddess. The Birth of Venus, by Sandro Botticelli c. 1485 –1486. Venus, Mars, and Vulcan, by Tintoretto. The Birth of Venus (c. 1485) Sleeping Venus (c. 1501) Venus of Urbino (1538)
The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art).
Several hymns praise Inanna in her role as the goddess of the planet Venus. [192] [259] [260] Theology professor Jeffrey Cooley has argued that, in many myths, Inanna's movements may correspond with the movements of the planet Venus in the sky. [192] The discontinuous movements of Venus relate to both mythology as well as Inanna's dual nature ...
Venus: Goddess of love, pleasure, passion, procreation, fertility, beauty and desire. The daughter of Zeus and the Oceanid or Titaness Dione, or perhaps born from the sea foam after Uranus' blood dripped into the sea after being castrated by his youngest son, Cronus, who then threw his father's genitals into the sea. Married to Hephaestus ...
The discontinuous movements of Venus relate to both Inanna's mythology as well as her dual nature. [ 7 ] [ 10 ] [ 11 ] Inanna's actions in several of her myths, including Inanna and Shukaletuda and Inanna's Descent into the Underworld appear to parallel the motion of the planet Venus as it progresses through its synodic cycle.
Sandro Botticelli, Uffizi Gallery, Florence 1484–1486 Nicolas Poussin, 1635–36, Philadelphia. Through the desire of Renaissance artists reading Pliny to emulate Apelles, and if possible, to outdo him, Venus Anadyomene was taken up again in the 15th century: besides Botticelli's famous The Birth of Venus (Uffizi Gallery, Florence), another early Venus Anadyomene is the bas-relief by Antonio ...
Venus de Milo drawn by Auguste Debay. The inscribed plinth, if originally part of the Venus, identifies the sculptor as [---]andros of Antioch on the Maeander and supports a date for the work in the Hellenistic period. The Venus de Milo is probably a sculpture of the goddess Aphrodite, but its fragmentary state makes secure identification ...
The Temple of Venus Libitina, a goddess of death, celebrated its dies natalis on the same day, in a part of Rome on the Esquiline Hill where funerary services were concentrated. Plutarch saw this Venus as encompassing the regenerative cycle of birth and death, but Varro distinguished between Libitina and Libentina, the latter inspiring "sensual ...