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Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
Dürer was an outstanding draftsman and one of the first major artists to make a sequence of self-portraits, including a full-face painting. He also placed his self-portrait figure (as an onlooker) in several of his religious paintings. [35] Dürer began making self-portraits at the age of thirteen. [36] Later, Rembrandt would amplify that ...
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
Ivan Le Lorraine Albright (February 20, 1897 – November 18, 1983) was an American painter, sculptor and print-maker most renowned for his self-portraits, character studies, and still lifes. [1] Due to his technique and dark subject matter, he is often categorized among the Magic Realists and is sometimes referred to as the "master of the ...
Self-Portrait (Ellen Thesleff) Self-Portrait (Ingres) Self-Portrait (Lampi) Self-Portrait Aged 24; Self-Portrait Aged 71; Self-Portrait as a Female Martyr; Self-Portrait as a Soldier; Self-Portrait as a Tahitian; Self-portrait as David; Self-Portrait as the Allegory of Painting; Self-Portrait at 6th Wedding Anniversary; Self-Portrait at 69 years
Master of Frankfurt, Saint Odile and Saint Cecilia, ca. 1503–1506, oil on panel, 113 x 67.9 cm (44 1/2 x 26 3/4 in.), Historical museum, Frankfurt.This painting, rendered in grisaille, forms part of the outer wings of the Altarpiece of St. Anne commissioned for the Dominican Church of Frankfurt circa 1504.
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...