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Chinese mythology (traditional Chinese: 中國神話; simplified Chinese: 中国神话; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions.
Yuan Ke (袁珂) (1916–2001) was a Chinese scholar, one of the most important specialists on Chinese mythology. [1] [2] His first important work was Zhongguo Gudai Shenhua, a ground-breaking volume on the topic first published in 1950. A second edition, revised and substantially expanded, appeared in 1957.
The following is a list of supernatural beings in Chinese folklore and fiction originating from traditional folk culture and contemporary literature.. The list includes creatures from ancient classics (such as the Discourses of the States, Classic of Mountains and Seas, and In Search of the Supernatural) literature from the Gods and Demons genre of fiction, (for example, the Journey to the ...
However, the study of Chinese mythology tends to focus upon material in the Chinese language. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at ...
Yaoguai (Chinese: 妖怪; pinyin: yāoguài) represent a broad and diverse class of ambiguous creatures in Chinese folklore and mythology defined by the possession of supernatural powers [1] [2] and by having attributes that partake of the quality of the weird, the strange or the unnatural.
Zhong Kui (Chinese: 鍾馗; pinyin: Zhōng Kuí; Korean: 종규, romanized: Jonggyu; Japanese: 鍾馗, romanized: Shōki; Vietnamese: Chung Quỳ) is a Taoist deity in Chinese mythology, traditionally regarded as a vanquisher of ghosts and evil beings. He is depicted as a large man with a big black beard, bulging eyes, and a wrathful expression.
As a deity Siming takes his, her, or their place in a complex cosmological system of Chinese religion and mythology. Over time, this system became a visualization of a complex cosmology including the elaboration of a heavenly bureaucracy, somewhat parallel to the earthly bureaucracy of the Chinese state, and invoking the same sort of explicit hierarchy.
Yuan Ke, a scholar in Chinese mythology, carefully studied the original materials and supported Liu's suggestion that the Epic of Darkness is a folk epic. Yuan said that the discovery of "Darkness" could be regarded a historic event in the folklore history of the Han people.