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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
On 13 April 2007 they released a new album, entitled Pianissimo fortissimo . In 2008 Stefano Milano left Perturbazione. His replacement was Alex Baracco (bass).
This is followed by a pianissimo restart in B ♭ (m. 73), which is when the A theme is heard again, leading to a full fortissimo statement in the tonic key of E ♭ (m. 93). Later, a downward arpeggio motif with sforzandos on the second beat is played twice in unison , first by the strings (mm. 115–119) and then by the full orchestra (mm ...
It opens with a flourish of trumpets, [17] before the main section of the movement begins with an allegretto (♩ = 84), fortissimo at first but subsiding to pianissimo after 16 bars and remaining so for the duration of the movement, except for two brief fortissimo episodes, which Nectoux conjectures accompanied the entrances of Portia's two ...
Following a broken-chords section filled with harmony changes, the main theme is restated in D major (pianissimo), the supertonic key of C major. Then a fortissimo and Beethoven's very common syncopations appear in the music giving a rhythm, this continues on to the resolution.
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"Fortissimo" is a 1966 song brought to success by Rita Pavone. The music was composed by Bruno Canfora , while the lyrics were written by director and screenwriter Lina Wertmüller , at the time a close collaborator of Pavone, after having directed her in the television miniseries Il giornalino di Gian Burrasca and in the musicarello film Rita ...
After an abrupt end to the second theme and a pregnant pause, a minor dotted-rhythm chordal theme in F-minor suddenly enters fortissimo, elaborating and modulating before sublimating into a pianissimo version of itself in the parallel major. This third theme is highly similar in rhythm and melodic contour as well as left-hand pattern to the ...