Search results
Results from the WOW.Com Content Network
Elisabeth Jerichau-Baumann was born in Żoliborz (French: Joli Bord) a borough of Warsaw. [1] Her father Philip Adolph Baumann (1776–1863), a mapmaker, and her mother, Johanne Frederikke Reyer (1790–1854), were of German extraction.
Gustave Baumann (June 27, 1881 – October 8, 1971) was an American printmaker and painter, and one of the leading figures of the color woodcut revival in America. [1] His works have been shown at the New York Metropolitan Museum of Art, The Cleveland Museum of Art, the National Gallery of Art in Washington DC, and the New Mexico Museum of Art. [2]
William Powell Frith – A Private View at the Royal Academy, 1881 (1883) Art Gallery of South Australia established in Adelaide. St. Louis School and Museum of Fine Arts established at Washington University in St. Louis, Missouri, under the direction of Halsey Ives. Dante Gabriel Rossetti's Ballads and Sonnets published. [2]
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
At the outbreak of the First World War, Matania became a war artist and was acclaimed for his graphic and realistic images of trench warfare. His painting for the Blue Cross entitled Goodbye, Old Man , showing a British soldier saying farewell to his dying horse, is a fine example of his emotive work. [ 2 ]
Clickable image of the Luncheon of the Boating Party (1881) by Pierre-Auguste Renoir (The Phillips Collection, Washington, D.C.). Place your mouse cursor over a person in the painting to see their name ; click to link to an article about them.
Image credits: Photoglob Zürich "The product name Kodachrome resurfaced in the 1930s with a three-color chromogenic process, a variant that we still use today," Osterman continues.
Dawn (French: L'Aurore), also known as the Girl with a Lily, is an oil-on-canvas painting created in 1881 by the French artist William-Adolphe Bouguereau. It was one of his most notable works. Its dimensions are 214.9 × 107 cm. [1] It is now in the Birmingham Museum of Art. [2]