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Sneakin' Sally Through the Alley is the debut solo album by Robert Palmer, released in 1974.It followed three album releases co-fronting the band Vinegar Joe. [5] [6]Palmer is backed by The Meters and Lowell George of Little Feat.
His first solo album, Sneakin' Sally Through the Alley, recorded in 1974 in New Orleans was heavily influenced by the music of Little Feat and the funk fusion of the Meters, who acted as the backing band along with producer/guitarist Lowell George of Little Feat. [12] Unsuccessful in the UK, both the album and single reached the top 100 in the ...
The discography of Robert Palmer consists of 14 studio albums, three live albums and 12 compilation albums. For the discographies of Vinegar Joe and the Power Station (groups Palmer was a member of), see their respective pages.
Featured on the 2013 CD reissue by Edsel (which is bundled with Sneakin' Sally Through the Alley) are acoustic demos of "Willin'" (George) and "Hope We Never Wake". Palmer rerecorded "Work to Make It Work" for his final studio album featuring original compositions, 1999's Rhythm & Blues (released in 1998 in Japan).
Addictions: Volume 2 is the second compilation album by English singer Robert Palmer, released in 1992.The album contained noted songs that Robert Palmer had from his Island Records albums Riptide, Sneakin' Sally Through the Alley, Pressure Drop, Double Fun, Secrets, Clues and Pride. [2]
"Give Me an Inch" (or "Give Me an Inch Girl" on some releases [2]) is a song by English singer Robert Palmer, which was released in 1976 as the lead single from his second studio album Pressure Drop (1975). [3]
Vinegar Joe evolved out of Dada, a 12-piece Stax-influenced, jazz/blues rock [2] fusion band. Dada released one eponymous album in 1970, with a line up including vocalist Elkie Brooks and guitarist Pete Gage. [3] Singer Robert Palmer, formerly with the Alan Bown Set joined Dada after the album had been
Riptide is the eighth studio album by English singer Robert Palmer, released in November 4, 1985 by Island Records.The album was recorded over a period of three months in 1985 at Compass Point Studios in Nassau, Bahamas.