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  2. Shure SM57 - Wikipedia

    en.wikipedia.org/wiki/Shure_SM57

    The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...

  3. Dynaco - Wikipedia

    en.wikipedia.org/wiki/Dynaco

    Dynaco was an American hi-fi audio system manufacturer popular in the 1960s and 1970s for its wide range of affordable, yet high quality audio components. [1] Founded by David Hafler and Ed Laurent in Philadelphia, Pennsylvania in 1955, it's best known product was the ST-70 tube stereo amplifier.

  4. Electro-Voice RE20 - Wikipedia

    en.wikipedia.org/wiki/Electro-Voice_RE20

    The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...

  5. Shure SM7 - Wikipedia

    en.wikipedia.org/wiki/Shure_SM7

    The Shure SM7 is a professional cardioid dynamic microphone, commonly used in broadcasting applications since 1973. Designed by Shure , it has been described as an "iconic" industry standard microphone for its focused, directional sound and its widespread adoption in radio, television and recording studios.

  6. Electro-Voice - Wikipedia

    en.wikipedia.org/wiki/Electro-Voice

    Electro-Voice (EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement and commercial and residential audiovisual installations.

  7. Sound reinforcement system - Wikipedia

    en.wikipedia.org/wiki/Sound_reinforcement_system

    A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians.

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