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Generally, the outro is a section where the energy of the song, broadly defined, dissipates. For example, many songs end with a fade-out, in which the song gets quieter and quieter. In many songs, the band does a ritardando during the outro, a process of gradually slowing down the tempo. Both the fade-out and the ritardando are ways of ...
Place a stub template at the very end of the article, after the "External links" section, any navigation templates, and the category tags. As usual, templates are added by including their name inside double braces, e.g. {{Speech-and-debate-stub}}.
For example, in Margaret Atwood's The Handmaid's Tale the epilogue is a transcript of a symposium at a university in the Arctic, held in 2195. The majority of the epilogue is a speech given by a professor named Pieixoto who is an expert on the area of Gilead where The Handmaid's Tale takes place. In the epilogue the land of Gilead has long gone ...
Jingle Bells"'s outro Play ⓘ In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques ...
Figures of speech come in many varieties. [7] The aim is to use the language imaginatively to accentuate the effect of what is being said. A few examples follow: "Round and round the rugged rocks the ragged rascal ran" is an example of alliteration, where the consonant r is used repeatedly.
Quintilian saw rhetoric as the science of the possible deviation from a given norm, or from a pre-existing text taken as a model. Each variation can be seen as a figure (figures of speech or figures of thought). [4] From this perspective, Quintilian famously formulated four fundamental operations according to the analysis of any such variation.
An apostrophe is an exclamatory figure of speech. [1] It occurs when a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene. Often the addressee is a personified abstract quality or inanimate object.
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