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Vintage songs are regularly remade, sampled and, most recently, interpolated into new ones.But even in that context, the saga of Leonard Cohen’s “Hallelujah” remains singular. A song that ...
The Oxford English Dictionary defines hallelujah as “a song or shout of praise to God,” but biblical scholars will tell you it’s actually a smash-up of two Hebrew words: “hallel” meaning ...
On 21 December 2008, "Hallelujah" became the first song in 51 years [119] to hold the top two positions on the UK Singles Chart; The X Factor winner Alexandra Burke's and American singer Jeff Buckley's covers were the two highest-selling songs in the week beginning 15 December 2008. Leonard Cohen's version was number 36 in the same chart.
The phrase "hallelujah" translates to "praise Jah/Yah", [2] [12] though it carries a deeper meaning as the word halel in Hebrew means a joyous praise in song, to boast in God. [13] [14] The second part, Yah, is a shortened form of YHWH, and is a shortened form of his name "God, Jah, or Jehovah". [3]
In addition to Cohen himself, various people affiliated with Cohen or associated with the song appear in the film, including artistic collaborator Sharon Robinson, John Lissauer (who produced and arranged of the original version of the song), Larry "Ratso" Sloman (a longtime interviewer), music producer Clive Davis, Rufus Wainwright, Brandi Carlile, Regina Spektor, Amanda Palmer, Eric Church ...
Hallelujah: Leonard Cohen, A Journey, A Song, from filmmakers Dan Geller and Dayna Goldfine stresses that many artist cover the poplar tune, like Jeff Buckley, ultimately the Canadian artist is ...
"Dammit" (sometimes subtitled "Growing Up") is a song by American rock band Blink-182, released on September 23, 1997, as the second single from the group's second studio album, Dude Ranch (1997). Written by bassist Mark Hoppus, the song concerns maturity and growing older. It was written about a fictional breakup and the difficulty of seeing a ...
A deep dive into the origin story of the singer's best-known song — and its unlikely ascension into the pop canon — doubles as a portrait of an artist as an accidental genius