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Extreme examples are 18-bass three-row instruments of the type favoured by some French musicians, and B/C/C ♯ accordions with 120-button Stradella basses: the size and weight of both these types can be greater than medium-sized piano or chromatic accordions.
Chromatic button accordion; Classification: Free-reed aerophone: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than an accordion with a piano keyboard: five octaves plus a minor third (written range = E2-G7, actual range = E1-D9, some have a 32 ft Register on the Treble to go even lower down ...
Chromatic button accordions also tend to be unisonoric, while diatonic button accordions tend to be bisonoric, [19] though notable exceptions exist. [20] Accordion size is not standardized, and may vary significantly from model to model.
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
Accordion, Chromatic button accordion, Bayan, Diatonic button accordion, Piano accordion, Stradella bass system, Free-bass system, Accordion reed ranks and switches The bayan (Russian: бая́н , IPA: [bɐˈjan] ) is a type of chromatic button accordion developed in the Russian Empire in the early 20th century and named after the 11th-century ...
The first diatonic button accordion was patented under the name 'Accordion' in 1829 by Cyril Demian. [2] [1] The same year, Charles Wheatstone made the first concertina. [2] The first chromatic button accordion was made by Franz Walther in 1850. [3] The name 'Accordion' is thought to originate from Akkord, the German word for chord.
In 1920s the special government commission took several researches and finally decided that all handicraftsmen had to unite into centralized cooperative factories (artels) and must produce only three types of button accordions: khromka, bayan (chromatic button accordion) and the Russian modification of a German bisonoric diatonic accordion ...
There is also a chromatic version of the Steirische, with the same treble system as the regular chromatic accordion. This is referred to as a "Semi-chromatic" (polkromatična harmonika), a "Half-chromatic", or a "12-bass chromatic". The treble side therefore sounds the same note in either bellows direction.
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