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Compassion is a live album recorded at the Sydney Opera House in September 2013 by Nigel Westlake, Lior and Sydney Symphony Orchestra. Compassion is an orchestral song cycle for voice and orchestra consisting of original melodies and orchestration set to ancient texts in Hebrew and Arabic, all centred around the wisdom of compassion.
In September 2020, Super Simple Songs signed a deal with Warner Music Group's Arts Music division and Warner Chappell Music. [ 8 ] [ 9 ] [ 10 ] At the time, it was ranked as the 36th biggest YouTube channel with 133.4m weekly views, 24.6 million subscribers and 22.8bn lifetime views.
Though Watts's hymns are now better known than these poems, Divine Songs was a ubiquitous children's book for nearly two hundred years, serving as a standard textbook in schools. By the mid-19th century there were more than one thousand editions.
Songs from Psalty's Kids Bible 1 (1995) Pow Pow Power to Live God's Way (1996) Psalty's All New Praise Party 2 (1996) Psalty's Mighty-Mini Musical: Kids' Praise-a-Luia (1998) Psalty's Mighty-Mini Musical: Growing Up in God (2001) Songs from Psalty's Kids Bible 2 (2001) Faith It! God Loves Me (2011) Psalty's Great Story Songs (2012) Songs for ...
A version for children appears on the 1984 Cabbage Patch Kids album "A Cabbage Patch Christmas". Woody Guthrie rewrote the lyrics to the song in 1949 and adapted the song to become “Come When I Call You.” Written about the ravages of war in the aftermath of World War II, the song would go unpublished until the late 90s.
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CompassionArt is a studio album by the songwriters' charity of the same name. [1] It features the entire CompassionArt song writing team, Paul Baloche, Chris Tomlin, Tim Hughes, Matt Redman, Darlene Zschech, Israel Houghton, Michael W. Smith, Graham Kendrick, Andy Park, Steven Curtis Chapman, Stu Garrard and charity co-founder Martin Smith, [2] [3] along with several other collaborators.
The song's genre is represented by pop, and includes acoustic and mild hip hop influences. It is a mid-tempo song based upon a strummed acoustic guitar, background piano, and occasional strings. The song's continuous clap-sounding beat was described as a "hip-hop shuffle", drawing comparisons to Christian musician Mat Kearney. [4]