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Bloop was an ultra-low-frequency, high amplitude underwater sound detected by the U.S. National Oceanic and Atmospheric Administration (NOAA) in 1997. [1]
While the audio profile of Bloop does resemble that of a living creature, [4] the source was a mystery both because it was different from known sounds and because it was several times louder than the loudest recorded animal, the blue whale. [5] The NOAA Vents Program has attributed Bloop to a large icequake. Numerous icequakes share similar ...
"The Bloop" is the loudest sound heard in history, that is certain. But what caused it is the mystery. ... Summary: [4] Houses in England are burning leaving a ...
If there is a secondary source that talks about use in games, films etc, then we can expand on it here. But it is not appropriate to include things that use the bloop if no one else noticed that thing and wrote about it. (secondary source rather than primary use). Read our article to see if it is real, it is a real sound.
Kurt B. Andersen (born August 22, 1954) is an American writer, the author of novels and nonfiction as well as a writer for television and the theater.. He was also a co-founder of Spy magazine, as well as co-creator and for its 20-year run host of the weekly Peabody Award-winning public radio program and podcast Studio 360.
She was the most erotic thing I’d ever seen. She was fair skinned and golden haired, full-blood Italian." In "A Complete Unknown," Rotolo's character has been renamed Sylvie Russo (Elle Fanning).
BlooP and FlooP (Bounded loop and Free loop) are simple programming languages designed by Douglas Hofstadter to illustrate a point in his book Gödel, Escher, Bach. [1] BlooP is a Turing-incomplete programming language whose main control flow structure is a bounded loop (i.e. recursion is not permitted [citation needed]).
I Am a Strange Loop is a 2007 book by Douglas Hofstadter, examining in depth the concept of a strange loop to explain the sense of "I". The concept of a strange loop was originally developed in his 1979 book Gödel, Escher, Bach. In the end, we are self-perceiving, self-inventing, locked-in mirages that are little miracles of self-reference.