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Pandæmonium (or Pandemonium in some versions of English) is the capital of Hell in John Milton's epic poem Paradise Lost. [ 1 ] [ 2 ] The name stems from the Greek pan (παν), meaning 'all' or 'every', and daimónion (δαιμόνιον), a diminutive form meaning 'little spirit', 'little angel', or, as Christians interpreted it, 'little ...
What he does deny is that God is innocent of its wickedness: 'Milton steadily drives home that the inmost counsel of God was the Fortunate Fall of man; however wicked Satan's plan may be, it is God's plan too [since God in Paradise Lost is depicted as being both omniscient and omnipotent].'" [41] [page needed] Leonard notes that this ...
Jane Chance likens Shelob to the guardian of the gateway to Hell in John Milton's Paradise Lost. [8] George H. Thomson similarly compares Shelob to Milton's Sin and Death, noting that they "serve neither God nor Satan but look solely to their own interests", as Shelob does; she is "the Death and Chaos that would overcome all". [9]
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant.His 1667 epic poem Paradise Lost, written in blank verse and including twelve books, was written in a time of immense religious flux and political upheaval.
The poetic style of John Milton, also known as Miltonic verse, Miltonic epic, or Miltonic blank verse, was a highly influential poetic structure popularized by Milton. Although Milton wrote earlier poetry, his influence is largely grounded in his later poems: Paradise Lost , Paradise Regained , and Samson Agonistes .
Michael Bryson, in The Atheist Milton, mentions the influence of A Preface to Paradise Lost on views of Milton's theological outlook, by saying that "it has been primarily since the 1942 publication of C.S. Lewis's A Preface to Paradise Lost that the image of Milton as the great defender of a somehow Augustinian orthodoxy has taken hold."
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Milton portrays hell as the abode of the demons, and the passive prison from which they plot their revenge upon heaven through the corruption of the human race. 19th-century French poet Arthur Rimbaud alluded to the concept as well in the title and themes of one of his major works, A Season in Hell (1873). Rimbaud's poetry portrays his own ...