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Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds: Save that from yonder ivy-mantled tow'r The moping owl does to the moon complain Of such, as wand'ring near her secret bow'r,
The hazy scene of Impression, Sunrise strayed from traditional landscape painting and classic, idealized beauty. Paul Smith suggested that with this style, Monet meant to express "other beliefs about artistic quality which might be tied to the ideologies being consolidated by the emergent bourgeoisie from which he came."
Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded. [1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa.
Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin,
"I Can See Clearly Now" is a song written and recorded by American singer-songwriter Johnny Nash. It was the lead single from his twelfth album, I Can See Clearly Now (1972), and achieved success in the United States and the United Kingdom when it was released in 1972, reaching number one on the US Billboard Hot 100 and Cash Box charts.
Rev. Charles Warr (right) with the Duke of York (centre) and Sir Francis Grant, Lord Lyon King of Arms (left) and proceeding to St Giles' Cathedral in 1933. Charles Laing Warr [1] KCVO [2] FRSE (1892–1969) was a Church of Scotland minister [3] [4] and author [5] in the 20th century.
Wildfires have broken out in Los Angeles and are raging through the Pacific Palisades neighborhood. Mark Hamill was among the 30,000 people in LA evacuated, while other stars have lost their homes.
The play has three brief epilogues. The first is introduced with a reprise of the theme of the "Wedding March" and the fairy music of the overture. After Puck's speech, the final musical number is heard – "Through this house give glimmering light" ("Bei des Feuers mattem Flimmern"), scored for solo soprano and women's chorus. Puck's famous ...