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At a consultation, Dr. Melfi reminds Tony that his concern for Tony B comes primarily from his feelings of guilt. Silvio tells Tony of the growing discontent within the family and asserts he is shielding Tony B out of pride, which Tony angrily rejects. Tony visits Paulie, having heard he is among those dissatisfied with his leadership.
Warning: This article contains spoilers for The Sopranos' finale, "Made in America.". On June 10, 2007, The Sopranos went out not with a bang-bang, but with a cut to black. In that now-iconic ...
Carmela is a homemaker for the Soprano household, and works to create a semblance of legitimacy for her family, even though she is well aware their wealth is built on "blood money". Tony trusts Carmela enough to confide in her, to a degree, about some of his Mafia dealings, notably the failed attempt on his life and the death of Richie Aprile.
The crime drama followed mob boss Tony Soprano (James Gandolfini) as he attempted to be a family man and keep his criminal life tucked away. Over its six-season run on HBO from 1999 to 2007 ...
James Gandolfini as Tony Soprano (13 episodes), the underboss of the DiMeo crime family, struggling with a rogue capo, his wife, and his finances. Lorraine Bracco as Jennifer Melfi (10 episodes), Tony's therapist. Edie Falco as Carmela Soprano (13 episodes), Tony's wife, who becomes doubtful of their relationship and finances.
"Whitecaps" is the 52nd episode of the HBO television series The Sopranos, and the 13th and final episode of the show's fourth season. Written by the series creator/executive producer David Chase with executive producers Robin Green and Mitchell Burgess, it was directed by longtime series director John Patterson.
At Hesh's request, Tony tries to reach out directly to Johnny through his optometrist brother-in-law, Anthony Infante, but Johnny is only paying attention to his immediate family's financial troubles. Tony, Vito and Christopher, now a capo in the Soprano family, meet with Phil and Gerry "The Hairdo" Torciano. Disputes between Tony and Phil are ...
"For All Debts Public and Private" is one of only two Sopranos episodes in which the end credits roll on top of a picture (the eye of the twenty-dollar bill in this case) instead of a black background (the other episode is "Cold Cuts" from Season 5) and the only episode in which they do so for the entire duration of the credits.